Journalism Source of Safety (J-SOS) is an online toolkit that offers trauma-informed and identity-aware journalist safety checklists, tips, gear advice, and other necessary security information for all journalists, including freelancers and students, with an emphasis on equity and ethics. It is imagined as a globally accessible resource addressing specific risk management tools, techniques and considerations for journalists with diverse bodies and backgrounds reporting in a variety of environments.
As an identity-aware and equity-focused project, it specifically centers the needs, embodiments, and experiences of journalists from marginalized backgrounds (i.e. women/nonbinary, QTPOC, BIPOC, immigrant, Majority World/Global South, differently abled, etc). J-SOS offers resources for everyday encounters in reporting and documentary, rather than responding primarily to the needs of conflict and war zone reporters.
This project is produced with support by the 2022-2023 Reynolds Journalism Institute Fellowship.
By visiting this website, you acknowledge that the safety advice offered on the J-SOS website and across all of its materials are suggestions and are not legally binding. The safety tips and tools provided by J-SOS should not be used in lieu of formal in-person safety training, such as a HEFAT for journalists. J-SOS safety advice is not sufficient to prepare anyone to report in a potentially life-threatening environment such as raging wildfires, war or political conflict zones.
Any person who either visits the website or utilizes the resources therein agrees to hold harmless the J-S0S project collaborators, the Reynolds Journalism Institute and all related assignees.

Tara Pixley is a queer Jamaican-American photographer and professor with a 20-year career in visual journalism. She is a 2022 Reynolds Journalism Fellow and Pulitzer Center Grantee, a 2021 IWMF NextGen Fellow, a 2020 recipient of the World Press Photo Solutions Visual Journalism Initiative and was a 2016 Visiting Knight Fellow at Harvard University's Nieman Foundation for Journalism. Her writing and photography have appeared in the New York Times, Wall Street Journal, NPR, Allure, People, ProPublica, HuffPost, Nieman Reports, ESPN, and the Black Scholar, among many other publications. She has been a photo editor for CNN.com, New York Times, and Newsweek.
As a safety trainer and social impact consultant, Dr. Pixley combines her expertise in visual storytelling, critical cultural studies, and equity practices to work with media organizations, brands, production companies, film sets, and nonprofits. She has led 35+ workshops, panels, and guest lectures on visual ethics, journalist safety, the social impact of visual storytelling, inclusive pedagogy, and decolonizing journalism for dozens of newsrooms, museums, colleges, and organizations. Currently, Dr. Pixley is producing the Source of Safety project and documenting environmental justice issues of Southern California oil production. Most recently, she oversaw the research and writing of the 2022 State of Photography Report and edited the Guide to Inclusive Photography. She is also a co-Author of the Photo Bill of Rights and Executive Director of Authority Collective — an organization dedicated to diversifying perspectives in visual media.
Jeje Mohamed is a holistic safety and security advisor and risk management expert. She co-founded Aegis Safety Alliance, a collective of women and non-binary media safety experts. She has extensive experience in journalism, human rights, and safety and security. She offers holistic, trauma-informed, identity-centered safety training and resources focused on digital safety, physical safety, de-escalation, and psychological first aid. Mohamed works with journalists, documentarians, media-makers, and human rights activists working in various contexts, working with newsrooms, media agencies, and NGOs.
Previously, Mohamed was the Senior Manager for Digital Safety and Free Expression at PEN America, where she led the training program and resource building. She was a Next-Gen Safety Trainers fellow with the International Women’s Media Foundation, developing holistic safety training programs and incident response support for journalists. She has worked as a journalist in Egypt and the United States, producing documentaries and podcasts on human rights abuses and leading human rights programs focused on combatting sex trafficking.
She received her bachelor’s degree from American University in Cairo in multimedia journalism and international relations and her master’s degree from American University in Washington, DC, in international media, focusing on human rights and democracy in areas of conflict as an Open Society Foundation Civil Society Leadership Award Fellow. She serves on the advisory board for the Coalition Against Online Violence and was a fellow with the Online News Association’s Women’s Leadership Accelerator.

Kat Contreras is a freelance photojournalist and editorial technologist who works at the intersection of visual storytelling and software development. With over a decade of experience in documentary photography and digital media production, they partner with small and nonprofit newsrooms to build the tools, interfaces, and systems journalists need — without requiring enterprise-scale resources.
Their editorial work has appeared in TIME, the Los Angeles Times, Essence, and The Advocate. On the tech side, they specialize in full-stack engineering, interactive experiences, and mobile development, bringing the same attention to clarity and accessibility that shapes their photography.

Vanessa Charlot is an award-winning photographer, filmmaker, lecturer, curator and media safety trainer. She is an Assistant Professor of Creative Multimedia at the University of Mississippi School of Journalism and New Media. Her work focuses on the intersectionality of race, politics, culture and sexual/gender expression to explore the collective human experience. The purpose of her work is to produce visual representations free of an oppressive gaze. Vanessa seeks to humanize Black bodies through her photography, restoring the dignity and vitality of those often shot as subjects divorced from context, motives, and histories.
She has worked throughout the U.S., Caribbean and Southeast Asia. Her photographs have been commissioned by the New York Times, Gucci, Vogue, Rolling Stone, The New Yorker, Oprah Magazine, The Atlantic, The Guardian, Apple, New York Magazine, Buzzfeed, Artnet News, The Washington Post and other national and international publications. Vanessa lectures at the International Center of Photography and is the recipient of the International Women's Media Foundation Courage in Journalism Award for 2021. She is currently an Emerson Collective Fellow.

Rosem Morton, is a Filipina photojournalist, nurse and safety trainer based in Baltimore, Maryland. As a visual journalist, she is a National Geographic Explorer whose work focuses on daily life amidst gender, health, and racial adversity. She documents issues from the effects of gender based violence, the unheard stories of healthcare workers, to the legacies of western colonization that have shaped Filipino culture and migration. Her work has been awarded the Leica Women Photo Award and the Visa d'or Daily Press Award. She has also been recognized by the Pictures of the Year International, the World Press Photo 6x6 Talent and the 30 under 30 list. Rosem has worked at major trauma centers as a registered nurse for the last 10 years. She draws on these experiences alongside the IWMF Next Gen Fellowship to provide holistic safety trainings for journalists.
Mari Galicer is a technologist and educator working at the intersection of privacy, safety, and software. As a digital security trainer, she aims to create accessible and collaborative spaces for learning about digital safety, centered in the needs of those not traditionally represented in journalism and tech. As a researcher and software developer, she has worked with Mozilla, ACLU, NYU, and several start ups. She is currently a product manager for consumer privacy at Cloudflare.
For more information on this project, check out the Source of Safety blogs written by Tara Pixley and published on the Reynolds Journalism Institute website.

With the support of the Reynolds Journalism Institute Fellowship, I am creating an online toolkit that offers trauma and identity-informed visual journalist safety checklists, tips, gear advice, and other necessary security training elements for all visual journalists.

“Bravery is overrated,” said Maria L. La Ganga, LA Times City Editor. “Getting yourself in a dangerous situation does no one any good.” I heard these words as an attendee of the Aug. 20 Society for Professional Journalists (SPJ) regional conference.

Journalism has always had a complex relationship with the internet. While the digital realm represents an incomparable tool for accessing information and circulating the news, the internet has also necessitated rapid shifts in the way journalism works.

In the 2022 State of Photography Report supported by Catchlight and the Knight Foundation, a majority of respondents to the survey (88%) said they generally accept risk in their day to day work as photojournalists and editorial photographers.

The Global Peace Index of 2021 cited a 10% increase in civil unrest globally in 2020, where the world population saw nearly 15,000 demonstrations. This trend of increased civil unrest continues with massive movements in Iran and China.

Erika P. Rodriguez, a freelance visual journalist based in San Juan, Puerto Rico, was already photographing the aftermath of a 5.8 magnitude earthquake when she experienced a terrifying aftershock.

Collaboration and accessibility are the twin pillars of J-SOS. This post explores how building shared safety resources creates stronger outcomes for all journalists.

J-SOS is now live. An introduction to the toolkit and the vision behind creating a globally accessible safety resource for journalists of all backgrounds.